Abstract
This chapter examines the extent to which Japanese copyright law supports or hinders sensory art, mainly in reference to the three-dimensional (3D) printing of art works for persons with a visual impairment (PVI) by cultural heritage institutions. It focuses on cultural heritage institutions in particular, as these are, in the first instance at least, the most likely institutions carrying out this kind of project as pilots. The chapter examines 3D printing as a process from the copyright angle to identify when and how copyright law is relevant. Japanese copyright law defines copyright works as the creative expression reflecting the author’s emotions, especially in the fields of literature, science and scholarship, art and music. In conclusion, making 3D copies of copyright protected art works is permitted under Japanese copyright law as long as it is for the benefit of and limited to PVI.
| Original language | English |
|---|---|
| Title of host publication | FEELING ART |
| Subtitle of host publication | Crafting Intellectual Property Law to Enhance Disability Access To Artistic Works |
| Chapter | 17 |
| Number of pages | 12 |
| ISBN (Electronic) | 9780429342677 |
| Publication status | Published - 27 Sept 2020 |
Fingerprint
Dive into the research topics of 'How Japanese Copyright Law Can Facilitate Access to Art for the Visually Impaired'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver