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Intercultural transfer and artistic innovation: German musicians in Victorian Britain
Stefan Manz
Aston Centre for Applied Linguistics (ACAL)
School of Social Sciences and Humanities
Aston Centre for Europe (ACE)
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peer-review
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Arts & Humanities
Howard Barker
100%
Victorian Britain
93%
Musicians
62%
Innovation
54%
Felix Mendelssohn Bartholdy
37%
Artist
29%
Praktiken
21%
Musikwissenschaft
21%
Choral Singing
19%
Orchestral music
18%
Household Name
17%
Music Production
16%
Musical Life
15%
Musicologists
14%
Performance Practice
14%
Conductor
14%
Classical music
13%
Point of Reference
13%
Musicology
13%
Cohort
13%
Aesthetics
12%
Cultural Context
12%
National Cultures
12%
Sustainability
12%
Concert
12%
Opera
11%
Performer
10%
Managers
10%
Interaction
6%
Social Sciences
musician
83%
innovation
46%
artist
23%
music
20%
musicology
18%
manager
17%
opera
16%
singing
14%
national culture
14%
nineteenth century
11%
aesthetics
11%
genre
10%
sustainability
8%
Federal Republic of Germany
8%
interaction
5%
performance
5%
teacher
5%