Looking for redemption in a globalised North: representations of the Arctic in Judith Hermann’s Short Stories Kaltblau (Cold –Blue) and Die Liebe zu Ari Oskarsson (Love for Ari Oskarsson)

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2011

"Warum bleiben wir eigentlich nicht immer hier?" Schweden als Projektionsraum für deutsche Sehnsüchte in Kurt Tucholskys 'Schloss Gripsholm' und seinen beiden Verfilmungen

Translated title of the contribution: "Why don't we stay here forever?" Sweden as a space of projection for German desires in Kurt Tucholsky novel 'Gripsholm Castle' and its two screen adaptationsGremler, C., 2011, In : Text und Kontext. 33, p. 21-47 27 p.

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