Rhythmic masking release: effects of asynchrony, temporal overlap, harmonic relations, and source separation on cross-spectral grouping

Martine Turgeon, Albert S. Bregman, Brian Roberts

Research output: Contribution to journalArticle

Abstract

The rhythm created by spacing a series of brief tones in a regular pattern can be disguised by interleaving identical distractors at irregular intervals. The disguised rhythm can be unmasked if the distractors are allocated to a separate stream from the rhythm by integration with temporally overlapping captors. Listeners identified which of 2 rhythms was presented, and the accuracy and rated clarity of their judgment was used to estimate the fusion of the distractors and captors. The extent of fusion depended primarily on onset asynchrony and degree of temporal overlap. Harmonic relations had some influence, but only an extreme difference in spatial location was effective (dichotic presentation). Both preattentive and attentionally driven processes governed performance. (PsycINFO Database Record (c) 2012 APA, all rights reserved)
Original languageEnglish
Pages (from-to)939-953
Number of pages15
JournalJournal of Experimental Psychology : Human Perception and Performance Psychology
Volume31
Issue number5
DOIs
Publication statusPublished - Oct 2005

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Masking
Grouping
Spectrality
Overlap
Rhythm
Harmonics
Distractor
Fusion
Listeners
Spacing
Onset
Regular
Clarity
Irregular

Cite this

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