The restricted possible worlds of depression: a stylistic analysis of Janice Galloway’s The Trick is To Keep Breathing using a possible worlds framework

This article uses a theoretical framework of possible worlds to explore the ways in which Janice Galloway’s novel about grief and depression, The Trick is to Keep Breathing, may elicit emotional responses in readers. I give an overview of some of the emotional responses expressed by readers by using online review data, before employing stylistic analysis to demonstrate how emotional effects may be created through the linguistic construction of degrees of possibility. Drawing on Possible Worlds Theory, I demonstrate how readers’ emotional responses may be linked both to the presentation of possibility and to the restriction of possibility. The combination of the empirical methodology utilised here alongside stylistic analysis allows me to harness the capacity of possible worlds methodologies to cast light on constructions of textual possibility and actuality and to facilitate understanding of some of the mechanisms eliciting readers' emotions.